a5c7b9f00b In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great evenHumanity struggles to understand the destructive ally they have.
In 1999, in Japan, there is a mysterious accident with the reactors of the Janjira nuclear power plant and the engineer Joe Brody loses his wife Sandra Brody and her team that were inspecting the reactor. Joe never accepts the official explanation for the accident. Fifteen years later, his son, the US Navy Officer Ford Brody, learns that Joe has trespassed in Janjira quarantine area and is arrested in Japan. He travels to Japan to release his father and they go to the Janjira facility area to retrieve Joe's data and pictures. Soon they discover the truth about the accident, caused by a "Massive Unidentified Terrestrial Organism" ("MUTO") that eats radiation trapped underground. The MUTO escapes from the secret facility to Honolulu killing Joe. Godzilla is also awakened, causes a tsunami in Hawaii and fights against the MUTO destroying Honolulu. Meanwhile a female MUTO escapes from the Nevada nuclear waste facility and destroys Las Vegas, heading to breed with the first MUTO in San Francisco. Now the last hope on Earth is Godzilla fighting and destroying the MUTO's.
I had the highest expectations for this film, the trailers looked amazing and I couldn't wait to see it. <br/><br/>Unfortunately the trailers were very misleading when it came to the lead rolls of the film. However the missing primary plot of the film was a nice surprise!<br/><br/>I found that the acting and characters were all very stiff, cliché and a bit boring. Personally I didn't find myself caring for any of them. <br/><br/>No one really had a prime role in the film apart from the son (Aaron Taylor-Johnson) everyone appeared to be a kind of side show with far too much chatter going on and no real feeling. <br/><br/>I didn't really get the feeling of fear, shock or any genuine reaction from anyone when the Monster first appears and starts causing chaos. It was all very underwhelming. <br/><br/>However, when it came to the battles, explosions and CGI work it was quite something. Godzilla really had a darker tone to its design and it was nice to see him shown to have actual intelligence and not just be a mindless Monster bent on destroying everything and eating all the fish. The creations in this film had a real unique feel to them and I loved every minute of the fight scenes. <br/><br/>The music had a real old school Godzilla style to it with a more modern urgency, depth and feel.<br/><br/>Overall I was happily disappointed with this film.
Godzilla So Hollywood tries their hand on Godzilla for second time. Will it be a hit this time unlike last time? Well unlike Ronald Emmerich helmed 1998 remake, which I haven't seen so far, this is the best monster movie made in Hollywood since Jurassic Park. In some parts it is even better and more creative than Jurassic Park. Only thing lacking is the humor and memorable character like Dr. Ian Malcolm or Dr. Alan Grant from Jurassic Park. But enough with the comparison, let 's talk about the film on its own. This movie is non-stop entertaining that's for sure. It is entertaining even when the scene does not involve monster fights and human drama. And main credit for this goes to Bryan Cranston(whom we said goodbye on TV last year"Walter White" on incredible finale of equally incredible "Breaking Bad") and Ken Watanabe who steal every scene they are inscientist due to their incredible acting despite the fact they are in supporting role. As for the leading characters played by Aaron Taylor Johnson and Elisabeth Olsenhusband and wife, they are okay in their performance, but are not convincing enough to be a parent of 5 year old, since they themselves look like a teenager. However when they are not together, they do their job decent enough to hold their scenes tight.<br/><br/>Enough about performance, let's talk about the action scenes. The fight scenes are pretty awesome. They would be one of best fight scenes you would see this year. Some of the monster-vs-monster fight can give competition to last year's Pacific Rim. Unlike some monsters in a PG-13 film, here monsters are really scary not only because of their looks (kudos to creature design department) but because the not so experienced director add enough build up, momentum ,unpredictability and thrill without any clichéd jump scares, to make the atmosphere scary.<br/><br/>The film is brilliant technically. And by technically I do not mean just the special effects but the cinematography and sound effect. But most impressive thing is art direction. Here everything is not Grey or dark, which is the case in movie like these, but here each and everything looks beautiful, be it architecture of Japan or close up shots of insects(yes, insects!) which looks like they are from National Geographic Channel.
Edwards’ Godzilla dawdles toward its Doomsday climax; the movie could win a prize for Least Stuff Happening in the First Two-Thirds of an Action Film… It’s a concept lacking a magnetic story, a package without a product.
No, this is a reboot of the Japanese Godzilla series from 1954. This film has no connections with the previous American remake. Godzilla will have several battles with the MUTO (Massive Unknown Terrestrial Organism) monster pair. There are scenes taking place in the Philippines, Japan, Hawaii, San Francisco, California, Nevada and Las Vegas. There are also some scenes that happen on the Pacific Ocean. "Kyrie", from György Ligeti's Requiem (1965). It was also featured most famously in Kubrick's 2001 A Space Odyssey in a few scenes and was most famously the music played right before Bowman enters the wormhole. The budget was stated and is understood to be 160 million USD. This movie was filmed in 2D and utilized stereoscopic 3D conversion in post by the company Stereo D, LLC. This is the same company who converted big creature films Jurassic Park 3D and Pacific Rim. The designers of the opening titles probably wanted to have some fun with the theme of secrecy that's evident throughout the film so they created the credits to reflect that spirit. A full list of them, including the redacted words, can be read here.
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